PHANTOM
"Strive for perfection
in everything you do. Take the best that exists and make it
better. When it does not exist, design it." Sir Henry Royce
The
Rolls-Royce Motor Cars Chief Engineer and Founder gave us these
words over 100 years ago, and they remain the cornerstone of
the company philosophy. When the new Phantom was unveiled in
January 2003, it marked a renaissance for arguably the most
famous name in the automotive world; a name that has become
synonymous with excellence. 'Project Rolls-Royce' began on 28
July 1998, when BMW Group became custodian of the marque.
The new Phantom is
the result of an intense four-year design and engineering programme
that not only produced an entirely new motor car, but also established
a new company and a new manufacturing plant at Goodwood in the
South of England. At the time, it was described as "the last
great adventure in motoring".
DESIGN "Whatever
is rightly done, however humble, is noble." Sir Henry Royce
The Rolls-Royce Phantom
is not about achieving a single superlative - the biggest, the
fastest, and the most powerful. Rather, it is about finding
the optimum balance of all these attributes and more. With a
Rolls-Royce, superlatives are found in the details. New thinking
and attention to detail can be seen in a number of areas of
the Phantom - the coach doors designed to make entry and exit
as graceful as possible, a retractable Spirit of Ecstasy that
hides away at the touch of a button, the Teflon-coated umbrellas
housed in the rear doors and the interlinked RR wheel centres,
engineered to remain upright at all times.
Authenticity
is the key element. Ian Cameron, Chief Designer of Rolls-Royce
Motor Cars, explains: "Our absolute priority was to create a
motor car that is clearly a Rolls-Royce even when the radiator
grille is not in view. More than this, the car has to stand
apart from all others on the road." Authentic design elements,
such as a long bonnet and wheelbase, short front and long rear
overhang, strong C-pillar and discreet rear window, run throughout
the Phantom, combining with 21st century engineering integrity
to create a car with genuine presence. Generous interior proportions
and the elevated position of the electrically operated front
seats give a sense of authority.
Rear passengers are
seated 18 mm (0.7 in) higher than those in front, allowing an
uninterrupted view of the Spirit of Ecstasy. Sat alongside the
C-pillar, behind the rear side glass and well behind a conventional
saloon arrangement, rear occupants enjoy an unrivalled sense
of privacy and security. The size of the motor car is a balance
between design and engineering considerations. For example,
the requirement for a prominent seating position and substantial
interior space determined the wheelbase, floor height, width
and standing height, which in turn determined the axle position
and wheel size. As a result, the new car's wheelbase is 3570
mm (140.6 in) while the overall length is 5834 mm (229.7 in).
It is 1632 mm (64.3 in) tall and 1990 mm (78.3 in) wide.The
460 litre/16.2 cu ft (DIN) boot is large enough to take four
sets of golf clubs with ease.
The
rear interior compartment is unique in every respect. Taking
a fundamental step back, the design team started out by asking
a simple question: "What is the best way to get into and out
of the rear of a motor car?" The answer was coach doors, hinged
at the rear, which allow passengers to enter and exit with decorum.
Once they are seated, the door can be closed automatically simply
by pressing a small button on the C-post. And because they allow
the passengers to sit further back in the body of the car, coach
doors also provide improved side impact protection. So much
so that the Phantom has no need for rear side airbags. Each
C-post contains a panelled quarter mirror which, from within,
appears to be a continuation of the side window, but offers
a degree of privacy without having to resort to darkened windows
or curtains. And when both front and rear doors are open, they
form a protective barrier around a passenger entering or leaving
the car.
The coach doors house
another surprise feature. Within each rear door is an umbrella
which is released at the touch of a button. After use, it can
be stored even when wet: special drainage channels are incorporated
into the coach door, and the umbrella material is coated with
Teflon to ensure that it will not rot. Inside, the design called
for an open, almost flat, rear floor to allow passengers to
move easily from one side of the car to the other - to exit
the car at the kerb side, for example - and to create an inviting
ambience. Maximum rear headroom was also a priority, with a
figure of 979 mm (38.5 in) achieved. The rear seats are available
in two different configurations: lounge and theatre. Lounge
seats have room for three passengers and are distinctly curved
at their outer sides. With no lateral separation, this seating
arrangement allows rear passengers to turn easily towards each
other on a journey, making it easier to converse and enjoy an
intimate environment. The theatre seating concept provides twin
individual seats separated by a centre console that can house
personal entertainment equipment, a drinks cabinet or other
bespoke items. All the doors and the boot lid have automatic
soft closing which ensures they are securely fastened without
the need for them to be slammed shut.
INTERIOR "Rolls-Royce
supremacy is the reward of superlative design and meticulous
care in manufacture." Rolls-Royce sales brochure, 1928
As expected from
a Rolls-Royce, the interior features the finest materials found
in any car. Two types of leather finishes are used - a natural
grain hide for seating and a textured 'tipped' leather for door
panniers and centre consoles. Naturally, it is the softest used
in the automobile industry. Deep-pile carpets are covered with
sumptuous lambswool rugs, while metal surfaces have either a
high-polish Sterling finish, such as the air vents, 'organ stops'
and lighting consoles, or a satin finish, which is used on the
door-handle surrounds and steering column stalks. The headlining
is of a wool and cashmere blend, providing a light and airy
contrast to the leather surface of the central roof console.
No fewer than six different veneers are available for the woodwork:
Figured Mahogany from West Africa, Burr Walnut, Birdseye Maple
and Black Tulip from North America, and Oak Burr and Elm Cluster
from Europe.
The switchgear displays
a modern interpretation of the traditional Rolls-Royce principles
of simplicity and clarity. Great care has been taken to balance
the need to access a large number of functions without increasing
complexity. As a result, the major controls will be recognisable
to long-standing Rolls-Royce owners, with iconic 'organ stops'
still used to control the flow of air to the face-level vents.
These have been joined by 'violin keys', similar in shape to
the tuning heads on a violin, for minor switchgear. A column-mounted,
electronically controlled gear selection lever is retained,
while a slim, leather-covered, three-spoke steering wheel incorporates
controls for the telephone, audio and navigation systems, as
well as a button that allows the driver to access a 'low' mode
for the gearbox.
Ahead
of the driver is an instrument cluster comprised of three black-faced
circular dials. A central speedometer is flanked by a split
gauge for fuel level and water temperature, and a unique power
reserve gauge which communicates the 'adequacy' of available
power - for example, at 100 mph, the engine has 75 per cent
of its total power capability left. A notable innovation appears
in the centre of the dashboard. A veneered panel housing the
analogue clock swivels to reveal a monitor for vehicle settings,
satellite navigation, on-board television and the telephone
system. A controller, discreetly stowed in the centre console
when not required, allows the driver to access these various
specialist functions.
Starting point for
the sophisticated ventilation system was to minimise the intrusive
effect of direct forceful airflow, by providing indirect airflow
for greater comfort. The circular air conditioning and heating
controls are familiar items, controlling the six temperature
zone interior with individual fan control for all four quarters
of the cabin. Complementing a conventional heated rear window,
the front side windows of the Phantom are heated for effective,
noiseless demisting. Light fittings, which can be found in the
front and centre roof consoles and in the C-posts, are art-deco
inspired; there are two reading lights in the front and twin
reading lights for each side in the rear. Ambient interior lighting
for night-time driving is provided by LEDs in the roof, while
a brighter 'boulevard' setting allows rear passengers to see
each other - or be seen - without distracting the driver.
DRIVING "There
is no evidence of an engine power ... until that power is required.
Then it comes in a volume and with a fluency that is almost
incredible, having regard to any sign of sensible effort in
its delivery." Rolls-Royce Phantom II brochure, 1929
A Rolls-Royce is
often perceived as the perfect chauffeur-driven car, where the
primary concern is for the comfort of the rear passengers. But
Rolls-Royce Motor Cars has a fundamental understanding of how
the Phantom will be used, and the truth is rather different.
While there will be occasions when an owner would prefer to
enjoy his or her Phantom from the rear compartment, many owners
will spend considerable time driving themselves. Central to
the design, therefore, has been the concept of relaxed control.
This can be seen in the elevated driving position, the effortless
operation of the controls and the refined performance of the
engine. A 6.75-litre V12 built to a Rolls-Royce specification
by BMW, the engine offers ample power and huge reserves of torque,
combined with exceptional fuel economy: headline figures include
the 5.7 seconds that see it sprint from 0-60 mph (0-100 km/h
in 5.9 seconds) and the 25.7 mpg (11.0 ltr/100 km) it returns
over the EU extra urban fuel economy cycle.
Perhaps
even more impressive is the fact that the Phantom can cover
44 metres (144 ft) in just 4.0 seconds from a standing start.
It's a figure many sports cars would be hard pressed to match.
Top speed has been limited to 149 mph (240 km/h). Maximum power
is 453 bhp (338 kW) with peak torque of 720 Nm (531 lb ft) reached
at 3,500 rpm. More significantly, 75 per cent of that torque
is available from 1,000 rpm, making the power delivery seem
effortless. This refined engine performance does much to give
the Phantom its 'waftability', a Rolls-Royce trademark that
can be traced back to the turn of the last century. In 1907,
a writer from the British motoring magazine Autocar described
riding in the Rolls-Royce 40/50 hp as '... the feeling of being
wafted through the countryside'. Engineers at Rolls-Royce quickly
coined the term 'waftability' to encapsulate that sensation.
Waftability is achieved in many ways. Effortless acceleration
from low engine speeds is one. Near silence of operation is
another. A cosseting ride is a given, as is the refinement and
comfort of the interior. But waftability can also be found in
the lines of the motor car itself: standing still, the Phantom
looks ready to glide off. It's in the natural operation of the
controls and in the minimum demands placed on the driver. The
feeling can even be found in the masterly view from the driver's
seat, over the long bonnet and front wings to the Spirit of
Ecstasy and beyond.
Ergonomic features
include a large-diameter steering wheel combining traditional
Rolls-Royce cues with modern technology: in use it has the lightness
and tactility of a precision instrument. The thin-rimmed wheel
is wrapped in leather with a hidden joint to make it more comfortable
to the touch and automatically tilts away when the electronic
ignition key is removed to ease entry and exit. The engine is
started and stopped via a push button mounted within the ignition
panel. Double wishbone front and multi-link rear suspension
combine to give the driver stress-free access to the Phantom's
full performance potential without compromising exceptional
ride comfort.
The rack and pinion
steering gives delightful feel through the wheel and the perfectly
balanced chassis, with 50/50 weight distribution, ensures precise
handling with excellent feedback of road and driving behaviour.
Naturally, for a Rolls-Royce motor car, such performance is
matched by extraordinary tranquillity. Even at speed, the V12
engine emits no more than a distant hum. At idle, it is virtually
silent. Engineered into the motor car is a dual-note exhaust:
at low engine speeds, a valve in the system closes to increase
back pressure and reduce the exhaust note to a whisper for understated
arrivals and departures. Combined with the synchronised wheel
centres, which ensure that the interlinked RR badges on all
four wheels are always in an upright position, the silence makes
the Rolls-Royce Phantom appear to be gliding rather than driving
away.
ENGINEERING
"Strive for perfection in everything you do." Sir Henry Royce
Adopting a fundamental
rather than an incremental approach to designing a motor car,
the Rolls-Royce Phantom benefits from the application of innovative
technology, most notably in its aluminium space frame structure.
As well as being far lighter than a steel shell of an equivalent
size, it is significantly more rigid, to the benefit of both
handling and ride comfort. Since the space frame is fully structural,
the outer panels are simply fastened to the frame itself. Most
of these, including the bonnet and rear wings are made from
lightweight aluminium, or composite materials; only the boot
lid is made of steel to aid weight distribution. The vehicle
package concept brings with it other bonus features and allows
the use of coach doors as well as a double floor, providing
an area for essential services without intruding into passenger
space. In addition, the extra rigidity provides the highest
levels of comfort and quietness as well as exceptional passive
safety attributes.
Drive is to the rear
wheels via a 'shift-by-wire', six-speed automatic transmission
tuned to match the characteristics of the V12 engine. Electronic
control means that, in normal use, the Phantom starts off in
second gear with early up-shifts and late down-shifts. However,
by engaging the kickdown switch, which is integrated into the
throttle pedal assembly, the car will set off in first and the
full performance of the engine will be released. Similarly,
engaging kickdown on the move allows later up-shifts and more
immediate response. The gearbox incorporates a 'low' mode, suitable
for steep mountain descents. Mounted well ahead of the passenger
compartment for optimum sound insulation, the engine itself
is one of the most advanced in the world. Remarkably compact,
the all-aluminium unit has four valves per cylinder, 48 in all,
twin overhead camshafts per cylinder bank, four in all, and
a long intake manifold for optimum low-end torque. It features
direct fuel injection, fully variable valve lift control and
variable valve timing.
Considering the size
and performance potential of the Phantom, fuel economy is exceptional:
over the EU extra urban cycle the Phantom returns 25.7 mpg (11.0
ltr/100 km) with a combined figure of 17.8 mpg (15.9 ltr/100
km). The fuel tank has a capacity of 22 imperial gallons (100
litres). The huge wheels and tyres have been specially developed
for the Rolls-Royce Phantom: it is the first car in the world
to feature the advanced PAX run-flat tyre system from Michelin
as standard. The 21-inch aluminium wheel option, shod with Goodyear
tyres, illustrates a more sporting side to the Phantom's character.
Massive brakes - 374 mm (14.7 in) ventilated discs at the front
and 370 mm (14.5 in) ventilated discs at the rear - bring peace
of mind, as does the fact that the Phantom has passed all current
and anticipated crash-test requirements. Not only does its aluminium
space frame bring significant benefits in occupant safety, but
the Phantom also features a raft of passive restraint systems,
including the Intelligent Safety Integration System (ISIS),
which uses a decentralised optical network of sensors to permit
intelligent triggering of the airbags. Dual-stage front bags
are complemented by door-mounted side airbags in the front and
window airbags running the length of the interior.
CRAFTSMANSHIP
"Accept nothing nearly right, or good enough." Sir Henry Royce
A
Rolls-Royce motor car never has, and never will be, mass-produced.
More than 260 man hours go into each Rolls-Royce Phantom, with
many of the traditional features - such as the coach lines and
exquisite cabinetry - still completed by hand. The Phantom is,
however, a 21st century motor car and the finest craftsmanship
is augmented by advanced technical solutions: the result is
a marriage of traditional skills and modern machinery, of human
endeavour and technological achievement.
But there is no substitute
for human involvement. A five-axis CNC milling machine might
give the dimensional accuracy required for the interior trim,
but it cannot ensure the veneer grains and patterns are aesthetically
matched. Only the trained human eye and the sensitivity of human
finger tips can ensure the highest quality hides and finest
veneers are used in the Rolls-Royce Phantom. Hand-crafting also
allows much greater scope to satisfy individual customer demands.
Such is the choice of colours, textures, veneers and equipment
that it is highly unlikely that two identical Rolls-Royce Phantoms
will ever be produced, unless deliberately commissioned, of
course.
EPILOGUE "The
quality remains long after the price is forgotten." Sir Henry
Royce
For nearly 100 years,
Rolls-Royce has been the icon of motor engineering and design.
The name has entered the language as the expression of perfection
in a range of endeavours far beyond the motor industry. The
new Rolls-Royce Phantom is entirely in keeping with that long
and illustrious heritage yet, at the same time, is totally contemporary.
It reflects the
timeless values of quality, distinction and authority, combining
the best of the past with the best modern design, engineering
and technology to re-interpret the character of Rolls-Royce
in the 21st century.
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